Tuesday, August 30, 2016

 “In Mythology, I am still reading about Medea and the quest for the Golden Fleece. Here is someone that I recognize. When Medea falls in love with Jason, it grabs me by the throat. I can see her. Medea sneaks Jason things to help him: ointments to make him invincible, secrets in rocks. She has magic, could bend the natural to the unnatural. But even with all her power, Jason bends her like a young pine in a hard wind; he makes her double in two. I know her.”
-       Esch, Page 38
In Medea, Esch sees small pieces of herself. Her situation shadows Medea’s, a girl who gives everything to help a boy she thought she loved. As ties are severed and bridges are burned with Manny, Esch’s Jason, she realizes asking Manny to act as the father is unfeasible and unrealistic. She starts out in the novel as a small, breakable girl afraid to use her voice but grows into something sturdy and fierce-willed. 












Picture of Medea ↑
This artwork was submitted to historywitch.com in 2015. The artist is unknown.










I chose a picture of a wolf to symbolize Esch’s character at the end of the novel because I think it represents the brawn and grit Esch has learned to accept as a part of her life, and additionally, her.

1 comment:

  1. I really like the picture of a wolf that you chose to symbolize Esch by the end of the book. I think it was interesting that you were able to relate her to an animal, because in Salvage the Bones, she is often to related to China (an animal as well). In addition, I think that you could maybe discuss a little more about what that passage you chose reveals about Esch. I happened to choose the same passage as well, and I said how it revealed Esch's more sensitive side due to the fact that like Medea, she is being "doubled in two" by the way Manny is treating her. Great job connecting Esch to Medea!

    ReplyDelete